in the middle of the air. II
in the middle of the air. II

Pigment, oil, wax and graphite on linen. 2022.
211 x 183cm.

Photography Peter Whyte

and ideal grace
and ideal grace

Graphite, oil and wax pigment stick on linen.
Two panels. 183 × 183cm each. 2026.

Photo courtesy of Andrew Jensen, Fox Jensen Gallery, Sydney.

and ideal grace (left panel)
and ideal grace (left panel)

Graphite, oil and wax pigment stick on linen.
Two panels. 183 × 183cm each. 2026.

Photography Peter Whyte

like the shoreline and the sea. III.
like the shoreline and the sea. III.

Oil and wax pigment stick on linen.
183 x 183cm. 2023.

Photography Peter Whyte

like the shoreline and the sea III
like the shoreline and the sea III

Oil and wax pigment stick on linen.
183 × 183 cm. 2023.

Photo courtesy of Andrew Jensen, Fox Jensen Gallery, Sydney.

the turning. III.
the turning. III.

Pigment, oil and wax on linen.
183 x 183 cm. 2023.

Photography Peter Whyte

the turning II
the turning II

Oil and wax pigment stick on linen.
138 × 138cm. 2023.

Photography Peter Whyte

The turning II
The turning II

Oil and wax pigment stick on linen.
138 × 138cm 2023

Photo courtesy Andrew Jensen. Fox Jensen Gallery Sydney

for I have heard the mermaids singing.  III.
for I have heard the mermaids singing. III.

Pigment, oil and wax on linen.
102 × 102 cm. 2025.

Photography Peter Whyte

four mermaids
four mermaids

Graphite, oil and wax pigment stick on linen.
76 x 76cm each. 2026.

four mermaids (number 1)
four mermaids (number 1)

Graphite, oil and wax pigment stick on linen.
76 × 76cm. 2026.

Photography Peter Whyte

A measure of days
A measure of days

Pigment, oil and wax on linen.
Four panels, 102 x 102cm each. 2022.

Photography Peter Whyte

speak softly of days. I.
speak softly of days. I.

Oil and wax pigment stick on linen.
183 x 183cm. 2020.

Photography Peter Whyte

between our fingers (detail)
between our fingers (detail)

Pigment, oil and wax stick on linen.
Three panels, 76 x 76cm each. 2021.

even so something sings. I.
even so something sings. I.

Pigment, oil and wax on linen. 138 x 138cm. 2021.

Photography Peter Whyte

The offing. (Beyond the anchoring grounds). IV.
The offing. (Beyond the anchoring grounds). IV.

Pigment, oil and wax on linen.
84 x 84cm. 2023

Photography Peter Whyte

The offing II (Beyond the anchoring grounds).
The offing II (Beyond the anchoring grounds).

Oil and wax pigment stick on linen.
84 × 84cm

Photo courtesy Andrew Jensen. Fox Jensen Gallery Sydney

small keepsake
small keepsake

Oil and wax pigment stick on linen.
61 × 61cm. 2022

Photography Peter Whyte

small shadows.  IV.
small shadows. IV.

Pigment, oil and wax on linen.
61 x 61cm. 2021.

Photography Peter Whyte

in the middle of the air. II
and ideal grace
and ideal grace (left panel)
like the shoreline and the sea. III.
like the shoreline and the sea III
the turning. III.
the turning II
The turning II
for I have heard the mermaids singing.  III.
four mermaids
four mermaids (number 1)
A measure of days
speak softly of days. I.
between our fingers (detail)
even so something sings. I.
The offing. (Beyond the anchoring grounds). IV.
The offing II (Beyond the anchoring grounds).
small keepsake
small shadows.  IV.
in the middle of the air. II

Pigment, oil, wax and graphite on linen. 2022.
211 x 183cm.

Photography Peter Whyte

and ideal grace

Graphite, oil and wax pigment stick on linen.
Two panels. 183 × 183cm each. 2026.

Photo courtesy of Andrew Jensen, Fox Jensen Gallery, Sydney.

and ideal grace (left panel)

Graphite, oil and wax pigment stick on linen.
Two panels. 183 × 183cm each. 2026.

Photography Peter Whyte

like the shoreline and the sea. III.

Oil and wax pigment stick on linen.
183 x 183cm. 2023.

Photography Peter Whyte

like the shoreline and the sea III

Oil and wax pigment stick on linen.
183 × 183 cm. 2023.

Photo courtesy of Andrew Jensen, Fox Jensen Gallery, Sydney.

the turning. III.

Pigment, oil and wax on linen.
183 x 183 cm. 2023.

Photography Peter Whyte

the turning II

Oil and wax pigment stick on linen.
138 × 138cm. 2023.

Photography Peter Whyte

The turning II

Oil and wax pigment stick on linen.
138 × 138cm 2023

Photo courtesy Andrew Jensen. Fox Jensen Gallery Sydney

for I have heard the mermaids singing. III.

Pigment, oil and wax on linen.
102 × 102 cm. 2025.

Photography Peter Whyte

four mermaids

Graphite, oil and wax pigment stick on linen.
76 x 76cm each. 2026.

four mermaids (number 1)

Graphite, oil and wax pigment stick on linen.
76 × 76cm. 2026.

Photography Peter Whyte

A measure of days

Pigment, oil and wax on linen.
Four panels, 102 x 102cm each. 2022.

Photography Peter Whyte

speak softly of days. I.

Oil and wax pigment stick on linen.
183 x 183cm. 2020.

Photography Peter Whyte

between our fingers (detail)

Pigment, oil and wax stick on linen.
Three panels, 76 x 76cm each. 2021.

even so something sings. I.

Pigment, oil and wax on linen. 138 x 138cm. 2021.

Photography Peter Whyte

The offing. (Beyond the anchoring grounds). IV.

Pigment, oil and wax on linen.
84 x 84cm. 2023

Photography Peter Whyte

The offing II (Beyond the anchoring grounds).

Oil and wax pigment stick on linen.
84 × 84cm

Photo courtesy Andrew Jensen. Fox Jensen Gallery Sydney

small keepsake

Oil and wax pigment stick on linen.
61 × 61cm. 2022

Photography Peter Whyte

small shadows. IV.

Pigment, oil and wax on linen.
61 x 61cm. 2021.

Photography Peter Whyte

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